On the occasion of the publication of both his latest novel Exit Ghost, and a new Library of America volume that collects the Zuckerman Bound cycle of the "Nathan Zuckerman" works, Philip Roth (my favorite living American novelist) appeared yesterday on NPR's/WHYY's Fresh Air with Terry Gross. You can listen to her interview with Roth — and Robert Siegel's own from Monday, too — here (and find links to streams of all of his past Fresh Air interviews at the same site).
This 2006 sit-down with Roth has been making the rounds for the past few days, as well. A Part One to the interview can be found on YouTube, although note the site has screwed up the audio-synch on that particular clip pretty badly. (As YouTube tends to do.) Here's Part Two, which in any case gets right to the heart of the matter:
Interview with Philip Roth, 2006 —
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Originally posted: 9/26/07
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"For [so-and-so, in dedication]" (exception: the Histoire(s) du cinéma, which invented the practice in cinemaville)
"from the likes of Pauline Kael"
"fun"
"gaily caparisoned"
"goofy charm"
"heart-rending climax"
"heart-rending final scene"
"heart-rending final sequence"
"heterosexual love"
"homosexual love"
"I found myself unprepared for the emotional wallop"
"in the history of the cinema"
"invigorating"
"is to be commended for"
"jansenist"
"lively"
"Love it or hate it, ... "
"my star-clotted majesty"
"one of the most beloved"
"played by the incomparable [so-and-so]"
"playfully"
"political"
"powerfully affecting"
"reading of the film"
"rich array"
"staggering beauty"
"staggeringly beautiful"
"strikingly bereft"
"that would change cinema forever"
"that would change the movies forever"
"the greatest ____________ of his/her generation"
"there's nothing else like it" (also: "there's absolutely nothing else like it")
"tissue of lies"
"titular [anything]"
"two or three things"
"unforgettable"
"Unfortunately, compared with Rohmer's earlier work, in particular the series known as 'Six Moral Tales,' The Romance of Astrea and Celadon has little to say about eros that's still relevant. It's a film so embarrassingly quaint it's crying out for a parody called Not Another Medieval Movie."
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