"Gainsbourg's lyrics [as sung by France Gall] obviously have nothing to do with the worldview expressed by other teenage vocalists of the time; of course the world [of those vocalists] has its charms, but it has not a single atom of depth. In the lyrics of Gainsbourg's songs in general, and "Laisse tomber les filles" in particular, there is a startling lucidity coupled with a refusal to be taken in by "the great farce of love", defined in terms of "never" and "always". But, with "Laisse tomber les filles", we are not presented with a male narrator of thirty or thirty-five years, but rather a teenager." —Gilles Verlant, Gainsbourg [2000]
"For [so-and-so, in dedication]" (exception: the Histoire(s) du cinéma, which invented the practice in cinemaville)
"from the likes of Pauline Kael"
"fun"
"gaily caparisoned"
"goofy charm"
"heart-rending climax"
"heart-rending final scene"
"heart-rending final sequence"
"heterosexual love"
"homosexual love"
"I found myself unprepared for the emotional wallop"
"in the history of the cinema"
"invigorating"
"is to be commended for"
"jansenist"
"lively"
"Love it or hate it, ... "
"my star-clotted majesty"
"one of the most beloved"
"played by the incomparable [so-and-so]"
"playfully"
"political"
"powerfully affecting"
"reading of the film"
"rich array"
"staggering beauty"
"staggeringly beautiful"
"strikingly bereft"
"that would change cinema forever"
"that would change the movies forever"
"the greatest ____________ of his/her generation"
"there's nothing else like it" (also: "there's absolutely nothing else like it")
"tissue of lies"
"titular [anything]"
"two or three things"
"unforgettable"
"Unfortunately, compared with Rohmer's earlier work, in particular the series known as 'Six Moral Tales,' The Romance of Astrea and Celadon has little to say about eros that's still relevant. It's a film so embarrassingly quaint it's crying out for a parody called Not Another Medieval Movie."
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.