"In the cinema at present the camera has become a sort of god. You have a camera, fixed on its tripod or crane, which is just like a heathen altar; around it are the high priests — the director, cameraman, assistants — who bring victims before the camera, like burnt offerings, then cast them into the flames. And the camera is there, immobile — or almost so — and when it does move, it follows patterns ordained by the high priests, not by the victims." —Jean Renoir, in conversation with André Bazin, 1958
Wednesday, October 13, 2010
Renoir Said This
"In the cinema at present the camera has become a sort of god. You have a camera, fixed on its tripod or crane, which is just like a heathen altar; around it are the high priests — the director, cameraman, assistants — who bring victims before the camera, like burnt offerings, then cast them into the flames. And the camera is there, immobile — or almost so — and when it does move, it follows patterns ordained by the high priests, not by the victims." —Jean Renoir, in conversation with André Bazin, 1958
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