What I Saw in 2018

3 Bad Men [John Ford, 1926]
4 aventures de Reinette et Mirabelle [4 Adventures of Reinette and Mirabelle] [Éric Rohmer, 1987]
8-jikan no kyōfu [8 Hours’ Terror] [Seijun Suzuki, 1957]
22nd Ji.hlava IDFF Promotional Spot [Jean-Luc Godard, 2018]
El abrazo de la serpiente [Embrace of the Serpent] [Ciro Guerra, 2015]
And You Act Like One Too [Susan Seidelman, 1976]
Une affaire de femmes [A Female Matter] [Claude Chabrol, 1988]
Akai hatoba [Red Pier] [Toshio Masuda, 1958]
Akutarō [The Bastard] [Seijun Suzuki, 1963]
Akutarō-den: Warui hoshi no shita demo [Stories of Bastards: Even Under a Bad Star] [Seijun Suzuki, 1965]
All About Mankiewicz [Luc Béraud and Michel Ciment, 1983]
All Men Were There [Jay Giampietro, 2018]
Les amants du Pont-Neuf [The Lovers of the Pont-Neuf] [Leos Carax, 1991]
Ankokugai no bijo [Underworld Beauty] [Seijun Suzuki, 1958]
Annihilation [Alex Garland, 2018]
Anticipation [Jean-Luc Godard, 1967]
The Apartment [Billy Wilder, 1960]
Aphex Twin: “T69 collapse” [WEIRDCORE, 2018]
At War with the Army [Hal Walker, 1950]
Au cœur du mensonge [At the Heart of the Lie] [Claude Chabrol, 1998]
Aujourd’hui [Today] [Claude Autant-Lara, 1967]
Avanti! [Billy Wilder, 1972]
The Awful Truth [Leo McCarey, 1937]
Ayka [Sergei Dvortsevoy, 2018]
The Barefoot Contessa [Joseph L. Mankiewicz, 1954]
Beach Rats [Eliza Hittman, 2017]
La Belle Époque [Michael Pfleghar, 1967]
Ben-Hur [William Wyler, 1959]
Betty [Claude Chabrol, 1992]
The Big Chill [Lawrence Kasdan, 1983]
Bill Nye: Science Guy [David Alvarado and Jason Sussberg, 2017]
Blonde Venus [Josef von Sternberg, 1932]
Bloodbrothers [Robert Mulligan, 1978]
Der Bräutigam, die Komödiantin und der Zuhälter [The Bridegroom, the Actress, and the Pimp] [Jean-Marie Straub and Danièle Huillet, 1968]
British Sounds (See You at Mao) [Jean-Luc Godard and Jean-Henri Roger, 1969]
Buffalo Bill and the Indians, or: Sitting Bull’s History Lesson [Robert Altman, 1976]
Butter on the Latch [Josephine Decker, 2013]
Cabin Boy [Adam Resnick, 1994]
Caprice Espagnole {“The Devil Is a Woman”} [Josef von Sternberg, 1935]
Casablanca [Michael Curtiz, 1942]
Casa de lava [Lava Home] [Pedro Costa, 1994]
Caught [Max Ophüls, 1949]
La cérémonie [The Ceremony] [Claude Chabrol, 1995]
Certain Women [Kelly Reichardt, 2016]
Chaval [Mario Ruspoli, 1971]
Le chavalanthrope [The Chavalanthrope] [Mario Ruspoli, 1972]
La chinoise, ou plutôt à la chinoise [The Chinese Girl, or Rather: In the Chinese Style] [Jean-Luc Godard, 1967]
Chronik der Anna Magdalena Bach [Chronicle of Anna Magdalena Bach] [Jean-Marie Straub and Danièle Huillet, 1968]
Cinefile: Reel Women [Chris Rodley, 1995]
Colin Caulfield: “Looking for Revenge” [Robbie Hillyer Barnett, 2018]
Comédies et Proverbes: La femme de l’aviateur, ou “On ne saurait penser à rien” [Comedies and Proverbs: The Airline Pilot’s Wife, or: “One Wouldn’t Know How to Think of Nothing”] [Éric Rohmer, 1981]
Comédies et Proverbes: L’ami de mon amie [Comedies and Proverbs: My Girlfriend’s Boyfriend] [Éric Rohmer, 1987]
Comédies et Proverbes: Le beau mariage [Comedies and Proverbs: The Fine Marriage] [Éric Rohmer, 1982]
Comédies et Proverbes: Le rayon vert [Comedies and Proverbs: The Green Ray] [Éric Rohmer, 1986]
Comédies et Proverbes: Les nuits de la pleine lune [Comedies and Proverbs: Nights of the Full Moon] [Éric Rohmer, 1984]
Comédies et Proverbes: Pauline à la plage [Comedies and Proverbs: Pauline at the Beach] [Éric Rohmer, 1983]
Contes des quatre saisons: Conte de printemps [Tales of the Four Seasons: Springtime Tale] [Éric Rohmer, 1990]
The Clock [Vincente Minnelli, 1945]
Creativity: With Bill Moyers: A Portrait of Samson Raphaelson [David Grubin, 1982]
Cure [Kiyoshi Kurosawa, 1997]
The Curse of the Cat People [Gunther von Fritsch, Robert Wise, and Val Lewton, 1944]
Dark River [Clio Barnard, 2017]
Death Mills [Billy Wilder, 1946]
The Death of Stalin [Armando Iannucci, 2017]
The Defiant Ones [Stanley Kramer, 1958]
Le dernier verre [The Last Drink] [Mario Ruspoli, 1964]
Les deux Marseillaises [The Two Marseillaises] [Jean-Louis Comolli and André S. Labarthe, 1968]
The Devil and Daniel Johnston [Jeff Feuerzeig, 2005]
Dishonored [Josef von Sternberg, 1931]
Dnevnik Glumova [Glumov’s Diary] [Sergei Eisenstein, 1923]
Dōng [Jia Zhang-ke, 2006]
Dont Look Back [D. A. Pennebaker, 1967]
Don’t Make Waves [Alexander Mackendrick, 1967]
Einleitung zu Arnold Schoenbergs 'Begleitmusik zu einer Lichtspielscene' [Introduction to Arnold Schoenberg's 'Accompaniment to a Cinematograph Scene'] [Jean-Marie Straub and Danièle Huillet, 1973]
Émotion [Nobuhiko Ōbayashi, 1966]
L’enfer [Inferno] [Claude Chabrol, 1994]
En rachâchant [Making Up for Things] [Jean-Marie Straub and Danièle Huillet, 1982]
Enter the Ninja [Menahem Golan, 1981]
Ère préhistorique [Prehistoric Era] [Franco Indovina, 1967]
L’escargot noir [The Black Snail] [Claude Chabrol, 1988]
Ex Machina [Alex Garland, 2014]
Faisons un rêve… [Let’s Make a Dream…] [Sacha Guitry, 1936]
Falstaff (Chimes at Midnight) [Orson Welles, 1966]
Fantômas [Louis Feuillade, 1913-1914]
Female Trouble [John Waters, 1974]
Fēng-guì lái de rén / The Boys from Fengkuei [Hou Hsiao-hsien, 1983]
La fête prisonnière [The Captive Party] [Mario Ruspoli, 1961]
F for Fake [Orson Welles, 1974]
Fight Science [Theodore Collatos, 2018]
Un film comme les autres [A Film Like the Others] [Jean-Luc Godard, 1968]
Filming ‘Othello’ [Orson Welles, 1979]
First Reformed [Paul Schrader, 2017]
Fistful of Dollars [Sergio Leone, 1964]
Five Star Final [Mervyn LeRoy, 1931]
Forbidden Planet [Fred McLeod Wilcox, 1956]
France Gall: “Plus haut” / Plus oh! [France Gall: “Higher” / More, Oh!] [Jean-Luc Godard, 1996]
French Cancan [Jean Renoir, 1955]
Fumi hazushita haru [Trampled Springtime] [Seijun Suzuki, 1958]
Le gai savoir [Cheerful Knowledge] [Jean-Luc Godard, 1968]
Gambler’s Ballad: The Legend of Johnny Thompson [Emery Emery, 2018]

Game Night [John Francis Daley and Jonathan Goldstein, 2018]
Gas, Food Lodging [Allison Anders, 1992]
GG Allin: All in the Family (The Allins: All in the Family) [Sami Saif, 2017]
Gimme Danger [Jim Jarmusch, 2016]
Girls Trip [Malcolm D. Lee, 2017]
Google: “Filmed on Pixel 3” [Terrence Malick, 2018]
Le grand escroc [The Great Swindler / The Confidence Man] [Jean-Luc Godard, 1963/1964]
Grimes: “We Appreciate Power” [Claire Boucher and Mac Boucher, 2018]
Guerlain: “Mon Guerlain” [Terrence Malick, 2017]
Guitar (w)o matta wataridori [The Rambling Guitarist] [Buichi Saitō, 1959]
Happy Death Day [Christopher B. Landon, 2017]
Harry Dean Stanton: Partly Fiction [Sophie Huber, 2012]
Heaven Can Wait [Ernst Lubitsch, 1943]
Hellbound: Hellraiser II [Tony Randel, 1988]
Hereditary [Ari Aster, 2018]
Hester Street [Joan Micklin Silver, 1975]
High-teen yakuza [Late-Teen Yakuza] [Seijun Suzuki, 1962]
The Hired Hand [Peter Fonda, 1971]
Hitlers Hollywood / Hitler’s Hollywood: German Cinema in the Age of Propaganda: 1933-1945 [Rüdiger Suchsland, 2017]
Homicidal [William Castle, 1961]
L’homme qui vendit la Tour Eiffel [The Man Who Sold the Eiffel Tower] [Claude Chabrol, 1963/1964]
The Honey Pot [Joseph L. Mankiewicz, 1967]
House [Nobuhiko Ōbayashi, 1977]
Husbands: A Comedy About Life Death and Freedom [John Cassavetes, 1970]
“I Am Garibaldi”: Roberto Rossellini: ‘Viva l’Italia’ [Tag Gallagher, 2018]
Les inconnus de la terre [Strangers of the Earth] [Mario Ruspoli, 1961]
Incorrectional [Christopher Jason Bell, 2018]
Inspecteur Lavardin [Inspector Lavardin] [Claude Chabrol, 1986]
Irma la Douce [Billy Wilder, 1963]
Irma Vep [Olivier Assayas, 1996]
Is Ted Cruz “Tough as Texas”? / Fire Ted Cruz [Richard Linklater, 2018]
It Comes at Night [Trey Edward Shults, 2017]
I Was a Teenage Serial Killer [Sarah Jacobson, 1993]
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles [Chantal Akerman, 1975]
Jiùshì liūliū de tā [The Flowing Girl] / Cute Girl [Hou Hsiao-hsien, 1980]
Jobe’z World [Michael M. Bilandic, 2018]
John Mulaney: The Comeback Kid [John Mulaney and Rhys Thomas, 2015]
Kage naki koe [Voice Without a Shadow] [Seijun Suzuki, 1958]
Kameradschaft [Comradeship] [G. W. Pabst, 1931]
Kemono no nemuri [The Sleep of the Beast] [Seijun Suzuki, 1960]
Kill Bill: Volume 1 [Quentin Tarantino, 2003]
Kiss Me, Stupid [Billy Wilder, 1964]
The Last Film [Martiros Vartanov, 2015]
Last Flag Flying [Richard Linklater, 2017]
The Last Waltz [Martin Scorsese, 1978]
Lazzaro Felice [Happy Lazzaro] [Alice Rohrwacher, 2018]
Letter from an Unknown Woman [Max Ophüls, 1948]
‘Letter from an Unknown Woman’: Passion’s Triumph [Tag Gallagher, 2006]
Letter to Jane: An Investigation About a Still [Jean-Luc Godard and Jean-Pierre Gorin, 1972]
Le livre d’image: Image et Parole [The Image Book: Image and Word] [Jean-Luc Godard, 2018]
Lotte in Italia [Struggles in Italy] [Jean-Luc Godard and Jean-Pierre Gorin, 1970]
Love in the Afternoon [Billy Wilder, 1957]
Loving [Jeff Nichols, 2016]
Lucky [John Carroll Lynch, 2017]
Lured [Douglas Sirk, 1947]
Machorka-Muff [Jean-Marie Straub and Danièle Huillet, 1962]
Madame Bovary [Vincente Minnelli, 1949]
Mademoiselle Mimi [Philippe de Broca, 1967]
La madre [The Mother] {Version 3} [Jean-Marie Straub, 2012]
Mammy Water [Jean Rouch, 1954]
Mary Jane’s Not a Virgin Anymore [Sarah Jacobson, 1997]
Masques [Masks] [Claude Chabrol, 1987]
A Matter of Life and Death [Michael Powell and Emeric Pressburger, 1946]
Maux croisés [Crossed Ills / Crossword] [Claude Chabrol, 1989]
Le meraviglie [The Wonders] [Alice Rohrwacher, 2014]
Merci pour le chocolat [Thanks for the Hot Chocolate] [Claude Chabrol, 2000]
Michael [Carl Theodor Dreyer, 1924]
A Midsummer Night’s Dream [Max Reinhardt and William Dieterle, 1935]
Mikkō 0 Line [0-Line Stowaway] [Seijun Suzuki, 1960]
Mission: Impossible [Brian De Palma, 1996]
Mission to Mars [Brian De Palma, 2000]
Mon père avait raison [My Father Was Right] [Sacha Guitry, 1936]
Morocco [Josef von Sternberg, 1930]
Moses und Aron [Jean-Marie Straub and Danièle Huillet, 1975]
My Man Godfrey [Gregory La Cava, 1936]
Le nain [The Dwarf] [Louis Feuillade, 1912]
Nathan for You: Season 4 [Nathan Fielding, 2018]
La Nativité [The Nativity] [Louis Feuillade, 1910]
Nayak [The Hero] [Satyajit Ray, 1966]
Network [Sidney Lumet, 1976]
New Wave: Dare to Be Different [Ellen Goldfarb, 2018]
Nicht versöhnt, oder Es hilft nur Gewalt, wo Gewalt herrscht [Not Reconciled, or: Only Violence Helps Where Violence Rules] [Jean-Marie Straub and Danièle Huillet, 1965]
Night Nurse [William A. Wellman, 1931]
Night of the Living Dead [George A. Romero, 1968]
Notes on an Appearance [Ricky D’Ambrose, 2018]
Le nouveau testament [The New Testament] [Sacha Guitry, 1936]
No Way Out [Joseph L. Mankiewicz, 1950]
Nuits romains [Roman Nights] [Mauro Bolognini, 1967]
The Odd Man: Writing for the Media [Charlie Gormley, 1978]
The Old Dark House [James Whale, 1932]
On Cinema at the Cinema: Season 10: OCX [Tim Heidecker, et al, 2018]
On Cinema: The Tim Heidecker Trial [Eric Notarnicola and Tim Heidecker, 2018]
One, Two, Three [Billy Wilder, 1961]
Operation Odessa [Tiller Russell, 2018]
Ophelia [Claude Chabrol, 1962]
The Other Side of the Wind [Orson Welles, 1976/2018]
Pájaros de verano [Summer Birds / Birds of Passage] [Cristina Gallego and Ciro Guerra, 2018]
The Paradine Case [Alfred Hitchcock, 1947]
Patrice in Search of Love [Theodore Collatos, 2018]
Personal Problems: Pilot / Preliminary Version [Bill Gunn, 1980]
Personal Problems: Volume 1 [Bill Gunn, 1980]
Personal Problems: Volume 2 [Bill Gunn, 1981]
Phantom Thread [Paul Thomas Anderson, 2017]
The Philadelphia Story [George Cukor, 1940]
The Pirate [Vincente Minnelli, 1948]
The Player [Robert Altman, 1992]
The Poet & the Professor [Ariel Kavoussi, 2017]
The Post [Steven Spielberg, 2017]
Poulet au vinaigre [Chicken with Vinegar / Cop with Vinegar] [Claude Chabrol, 1985]
Prénom Carmen [First Name Carmen] [Jean-Luc Godard, 1983]
The Private Life of Sherlock Holmes [Billy Wilder, 1970]
Promenade dans le ‘Gai savoir’ [Stroll Through ‘Le gai savoir’] [Fabrice Aragno, 2017]
Prova d’orchestra [Orchestra Rehearsal] [Federico Fellini, 1978]
Pumpkin Movie [Sophy Romvari, 2018]
Rebecca [Alfred Hitchcock, 1940]
Red Line 7000 [Howard Hawks, 1965]
Regard sur la folie [A Look at Madness] [Mario Ruspoli, 1961]
Remontons les Champs-Élysées [Let’s Go Up the Champs-Élysées] [Sacha Guitry, 1938]
Revenge of the Ninja [Sam Firstenberg, 1983]
Rien ne va plus [Nothing’s Going Anymore / All Bets Are Off] [Claude Chabrol, 1997]
Riot in Cell Block 11 [Don Siegel, 1954]
Le roi de cœur [The Heart King / The King of Hearts] [Philippe de Broca, 1966]
Roma [Alfonso Cuarón, 2018]
Sada: Gesaku: Abe Sada no shōgai [Sada: A Pulp Fiction: The Life of Abe Sada] [Nobuhiko Ōbayashi, 1998]
Safe in Hell [William A. Wellman, 1931]
Salvador [Oliver Stone, 1986]
Le samouraï [The Samurai] [Jean-Pierre Melville, 1967]
Sānxiá hǎorén [Good People of the Three Gorges] / Still Life [Jia Zhang-ke, 2006]
Sayat Nova [Sergei Parajanov, 1969]
A Scandal in Paris: The Story of Vidocq [Douglas Sirk, 1946]
The Scarehouse [Gavin Michael Booth, 2014]
The Scarlet Empress [Josef von Sternberg, 1934]
The Scarlet Letter [Victor Sjöström, 1926]
Scream 2 [Wes Craven, 1997]
Serguei Paradjanov, le rebelle [Sergei Parajanov: The Rebel] [Patrick Cazals, 2003]
Shanghai Express [Josef von Sternberg, 1932]
Shuān-zhōng chuánqí [Legend in the Mountains] [King Hu, 1979]
The Shape of Water [Guillermo del Toro, 2017]
Shockproof [Douglas Sirk, 1949]
Shotgun no otoko [The Man with a Shotgun] [Seijun Suzuki, 1961]
Sisters [Brian De Palma, 1973]
Siu-nin Wong Fei-hung: Zi Tit Maa-lu [Little Wong Fei-hung: Iron Monkey] [Yuen Woo-ping, 1993]
Sleeping Dogs [Roger Donaldson, 1977]
Sleepless [Baran bo Odar, 2017]
Slightly French [Douglas Sirk, 1949]
Smash Palace [Roger Donaldson, 1981]
Smithereens [Susan Seidelman, 1982]
Snake Eyes {Dangerous Game} {Unrated Version} [Abel Ferrara, 1993]
So Big! [William A. Wellman, 1932]
Some Like It Hot [Billy Wilder, 1959]
Song to Song [Terrence Malick, 2017]
Sorry to Bother You [Boots Riley, 2018]
Die Spinnen [The Spiders] [Fritz Lang, 1919-1920]
Stachka [Strike] [Sergei Eisenstein, 1925]
A Star Is Born [Bradley Cooper, 2018]
Steve Martin and Martin Short: An Evening You Will Forget for the Rest of Your Life [Steve Martin, Martin Short, and Marcus Raboy, 2018]
The Stranger [Orson Welles, 1946]
Strangers on a Train [Alfred Hitchcock, 1951]
Suddenly [Lewis Allen, 1954]
Support the Girls [Andrew Bujalski, 2018]
El Sur [The South] [Víctor Erice, 1983]
Tarzan’s Secret Treasure [Richard Thorpe, 1941]
Thieves Like Us [Robert Altman, 1974]
The Thin Man [W. S. Van Dyke, 1934]
Tim Heidecker: “Jonathan’s Golden Wings” [Vic Berger IV, 2018]
Toby Dammit [Federico Fellini, 1968]
Tōge (w)o wataru wakai kaze [Youthful Wind Crossing the Mountain Pass] [Seijun Suzuki, 1961]
Tōkyō Knight [Tokyo Knights] [Seijun Suzuki, 1961]
Tough Guys [Henry Roosevelt and W. B. Zullo, 2017]
Together [Terrence Malick, 2018]
Tout va bien [Everything’s Going Fine] [Jean-Luc Godard and Jean-Pierre Gorin, 1972]
The Tragedy of Othello: The Moor of Venice {US and UK Version} [Orson Welles, 1955]
The Tree of Life {Extended Version} [Terrence Malick, 2011/2018]
Tron [Steven Lisberger, 1982]
Tsvet armyanskoi zemli [The Color of Armenian Land] [Mikhail Vartanov, 1969]
Twilight of Honor [Boris Sagal, 1963]
Under Capricorn [Alfred Hitchcock, 1949]
Until We Could [Yen Tan and David Lowery, 2014]
UUU [collective, 1968]
Les Vampires [The Vampires] [Louis Feuillade, 1915-1916]
Le vent d’est / Vento dell’est [Wind from the East] [Jean-Luc Godard and Jean-Pierre Gorin, 1969]
Vénus Noire [Black Venus] [Abdellatif Kechiche, 2010]
Ville nouvelle: I: Enfance d’une ville [Planned Community: I: Infancy of a Town] [Éric Rohmer, 1975]
Ville nouvelle II: La diversité du paysage urbain [Planned Community: II: The Diversity of the Urban Landscape] [Éric Rohmer, 1975]
Ville nouvelle: III: La forme de la ville [Planned Community: III: The Form of the Town] [Éric Rohmer, 1975]
Ville nouvelle: IV: Logement à la demande [Planned Community: IV: Housing on Request] [Éric Rohmer, 1975]
Viva l’Italia [Long Live Italy] [Roberto Rossellini, 1961]
Vladimir et Rosa [Vladimir and Rosa] [Jean-Luc Godard and Jean-Pierre Gorin, 1971]
La voce della luna [The Voice of the Moon] [Federico Fellini, 1990]
Von Caligari zu Hitler, das deutsche Kino im Zeitalter der Massen [From Caligari to Hitler: The German Cinema in the Age of the Masses] [Rüdiger Suchsland, 2014]
Westfront 1918, Vier von der Infanterie [Westfront 18: Four from the Infantry] [G. W. Pabst, 1930]
Witness for the Prosecution [Billy Wilder, 1957]
Wobble Palace [Eugene Kotlyarenko, 2018]
Les yeux ne veulent pas en tout temps se fermer, ou Peut-être qu’un jour Rome se permettre de choisir à son tour [Eyes Do Not Want to Close at All Times, or: Perhaps One Day Rome Will Permit Herself to Choose in Her Turn] [Jean-Marie Straub and Danièle Huillet, 1970]
Les yeux sans visage [Eyes Without a Face] [Georges Franju, 1959]
Young Mr. Lincoln [John Ford, 1939]
Yours Truly, Andrea G. Stern [Susan Seidelman, 1979]
Zài nà hépàn qīngcao qīng [Green Green Grass There by the Riverside] / Green Green Grass of Home [Hou Hsiao-hsien, 1982]

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